Many thanks to Andrew Thwaite, who kick-started the 2019 programme in February with an entertaining and informative talk on the history and manufacture of chocolate. A great many people braved the elements that wet and windy morning and were rewarded with a most enjoyable talk and freshly made chocolate!
Our next Speaker Meeting was in April, when Carolyn Kirby spoke about her debut novel ‘The Conviction of Cora Burns’. Carolyn’s novel has attracted considerable favourable comment in the press and online – more details here.
My novel ‘The Conviction of Cora Burns’ will be published in the UK and USA in March 2019. This is a historical thriller set in 1880’s Birmingham about a troubled young woman, Cora Burns, who was born in a gaol and raised in a workhouse. Haunted by memories of a terrible crime, she seeks a new life working as a servant in the house of a scientist, Thomas Jerwood. Here, Cora befriends a young girl, Violet, who seems to be the subject of a living experiment. But is Jerwood also secretly studying Cora?
The novel is inspired by some real Victorian lives and events. My talk will give an insight into the research that underlies the fictional narrative of the novel and will highlight three controversial Victorians: Arthur Munby, W. T. Stead and Francis Galton. This will be followed by Q and A’s and a chance to buy a signed copy of the book.
On Thursday 6th June, a large audience welcomed local resident, writer and photographer, Peter Rimmer, who presented a fascinating and informative talk on Morecambe Bay.
Peter is a freelance writer and photographer from Southport, now living in Ormskirk. He was awarded a Master’s Degree in Photography by the University of Bolton in 2013, and has self-published a Photo Book “The tide’s the very devil” about Morecambe Bay and its shrimp fishermen. Peter specialises in Paralympic and disability sports as a photojournalist.
The illustrated talk is based on my Photobook “The tide’s the very devil: Morecambe Bay in photographs” describing the hazards, dangers and isolation of the Bay; some of its rich history; crossing the sands; shrimp fishing – the catch, landing, boiling and picking of shrimps; and the men and women involved. Shrimping is a family business where the traditions are handed down, and remain largely unchanged from one generation to another. The opportunity to use old family photographs enables me to compare and contrast the practices of today with what went before, showing similarity and difference.
The title of the talk comes from the first line of the chorus of On Morecambe Bay, a folk song written by an old school-friend from Southport and recorded by Irish folk singer Christy Moore. Kevin Littlewood was inspired to write the lyrics following the tragedy in February 2004 when 23 Chinese cockle pickers died after becoming trapped by rising tides at Hest Bank. It is a poignant reminder that the tide dictates every move on the sands.
The solitude, isolation and scale of Morecambe Bay were apparent on my first venture out on the sands sitting on the back of Michael’s tractor. I wanted to capture the feeling of isolation and show the wide open spaces. I also wanted to illustrate some of the features of the Bay such as myrings, footprints and tracks in the sand. Including aerial shots from a balloon. I discovered a rich history of literature and painting which under-score the story of life on the sands, and provide an external context largely unchanged today.